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Δημοσιεύτηκε: 09 Νοέμ 2022, 09:57
Weird Scenes inside the Canyon - Laurel Canyon, covert Ops & the Dark Heart of the Hippie Dream
David McGowan
Αρχίζω την παρουσίαση του εν λόγω βιβλίου, όπου ο συγγραφέας παραθέτει κάποιες συμπτώσεις που αν κανείς ακολουθήσει υπό μία ορισμένη προοπτική μπορεί να δει στην άκρη του τούνελ ότι οι κοπρίτες χίπηδες και η σκατομουσική τους δεν ήταν παρά ένα κατασκεύασμα της CIA. Δεν με ενδιαφέρει φυσικά τι κάνει αυτή η οργάνωση όσο το γεγονός ότι πράγματι αποκαθηλώνει κάτι χαμένα κορμιά, άχρηστους, που παρίσταναν τους καλλιτέχνες.
Το Laurel Canyon ήταν μία εποχή που μαζεύτηκαν τα μεγάλα μυαλά της εποχής (
) για να κάνουν την επανάστασή τους ενάντια στο Βιετνάμ κλπ κλπ. Δεν είχε κάτι που θα τους τραβούσε εκεί, απλώς ήταν the space and time κλπ μαλακίες.
ΕΙΣΑΓΩΓΗ
Ήχοι μυδραλιοβόλου
What was this about secret underground tunnels connecting some of the iconic Laurel Canyon properties? And what about all those mysterious fires that wiped away the homes of a number of prominent singers and musicians? And why were there so many violent deaths so closely associated with a scene that was supposed to be all about peace and love? And what of Walker’s throwaway mention of a “secret fortified” military installation sitting right smackdab in the middle of hippiedom? And why did at least a few of America’s new minstrels seem to come from career military families and from the world of covert intelligence operations? And how exactly do the casual allusions to pedophilia fit into this increasingly curious scene? (τι είχες Γιάννη τι είχα πάντα; Κόβεται η παιδεραστία; κλπ)
Sometime those bits and pieces end up being no more than interesting anomalies, but past experience has taught me that if those divergent facts are properly assembled, a new picture often begins to emerge that is strikingly at odds with what is widely accepted as our consensus reality
In our celebrity-driven culture, calling into question the character and motivations of so many widely admired and respected figures from the entertainment community is never a good way to win popularity contestes. And when those revered figures are overwhelmingly viewed as icons of various leftist causes, it is definitely not the way to win fans among those who consider themselves to be liberals, progressives or leftist
David McGowan
Αρχίζω την παρουσίαση του εν λόγω βιβλίου, όπου ο συγγραφέας παραθέτει κάποιες συμπτώσεις που αν κανείς ακολουθήσει υπό μία ορισμένη προοπτική μπορεί να δει στην άκρη του τούνελ ότι οι κοπρίτες χίπηδες και η σκατομουσική τους δεν ήταν παρά ένα κατασκεύασμα της CIA. Δεν με ενδιαφέρει φυσικά τι κάνει αυτή η οργάνωση όσο το γεγονός ότι πράγματι αποκαθηλώνει κάτι χαμένα κορμιά, άχρηστους, που παρίσταναν τους καλλιτέχνες.
Το Laurel Canyon ήταν μία εποχή που μαζεύτηκαν τα μεγάλα μυαλά της εποχής (
![smt005 :smt005:](./images/smilies/old-valid-code/smt005.gif)
ΕΙΣΑΓΩΓΗ
Ήχοι μυδραλιοβόλου
What was this about secret underground tunnels connecting some of the iconic Laurel Canyon properties? And what about all those mysterious fires that wiped away the homes of a number of prominent singers and musicians? And why were there so many violent deaths so closely associated with a scene that was supposed to be all about peace and love? And what of Walker’s throwaway mention of a “secret fortified” military installation sitting right smackdab in the middle of hippiedom? And why did at least a few of America’s new minstrels seem to come from career military families and from the world of covert intelligence operations? And how exactly do the casual allusions to pedophilia fit into this increasingly curious scene? (τι είχες Γιάννη τι είχα πάντα; Κόβεται η παιδεραστία; κλπ)
Sometime those bits and pieces end up being no more than interesting anomalies, but past experience has taught me that if those divergent facts are properly assembled, a new picture often begins to emerge that is strikingly at odds with what is widely accepted as our consensus reality
In our celebrity-driven culture, calling into question the character and motivations of so many widely admired and respected figures from the entertainment community is never a good way to win popularity contestes. And when those revered figures are overwhelmingly viewed as icons of various leftist causes, it is definitely not the way to win fans among those who consider themselves to be liberals, progressives or leftist