"Mocking of Christ":Μια ακόμα ΘΡΥΑΛΛΙΔΑ στα Σκόπιa
"Mocking of Christ":Μια ακόμα ΘΡΥΑΛΛΙΔΑ στα Σκόπιa
Θόρυβο έχει προκαλέσει αυτές τις ημέρες η Σκοπιανή ταινία "Mocking of Christ", η οποία χαρακτηρίστηκε ως "ανθελληνική", όπως προφανώς είναι, καθώς και ΑΝΤΙΚΟΜΜΟΥΝΙΣΤΙΚΗ: Σε μια σκηνή ΒΙΑΣΜΟΥ, οι "βιαστές" αποκαλούνται μεταξύ τους "σύντροφοι". Η αναστάτωση είναι πιο έντονη κατ' αρχήν λόγω της συμμετοχής σε αυτήν γνωστής Ελληνίδας ηθοποιού, η οποία έσπευσε να "δηλώσει" πως "δεν είχε πολιτικά ή θρησκευτικά κίνητρα" και πως "συμμετείχε για καθαρά επαγγελματικούς λόγους, απλά σαν ηθοποιός", πράγμα που μάλλον αληθεύει καθώς τέτοιου είδους συμμετοχές έχουν ως αποκλειστικό κίνητρο τα DOLLARS και/ή τα EUROS που προσφέρονται ως αμοιβή. Κυρίως όμως λόγω της εμφάνισης του Δήμου Αθηναίων στους τίτλους τέλους της ταινίας ως "επίσημου υποστηρικτή", μαζί με τον Δήμο Σκοπίων και το Υπουργείο Εσωτερικών.
Υπάρχουν ωστόσο μερικά ενδιαφέροντα σημεία. Συγκεκριμένα: Η ταινία δείχνει "κουμπουροφόρους" του UCK - ήτοι ΑΛΒΑΝΟΥΣ - να επιτίθενται σε λεωφορείο και να φωνάζουν στους επιβάτες "Κατεβείτε κάτω κ***οχριστιανοί!", ή κάτι τέτοιο. Στην συνέχεια πυροβολούν έναν ή περισσότερους...Αυτό εν μέσω των ΚΛΥΔΩΝΙΣΜΩΝ που από καιρό αντιμετωπίζουν τα Σκόπια όσον αφορά τους Αλβανούς κατοίκους.
Στην αρχή η ταινία είχε απαγορευτεί στην γείτονα διότι "υποδαύλιζε εθνοτικές διαφορές", αλλά τελικά βγήκε στις αίθουσες ύστερα από επιθυμία, μεταξύ άλλων, ΚΑΙ του προέδρου Ιβανόφ.
Κατά τα άλλα...υπολογίζουν να παραμείνουν "ενωμένοι". Και να γίνουν και "δεκτοί στο NATO"! "Μωραίνει Κύριος..."
Απλά "ανθελληνική ταινία"; Ή - "κατά λάθος"! - ΔΟΥΡΕΙΟΣ ΙΠΠΟΣ; Μια επιπλέον ΘΡΥΑΛΛΙΔΑ - ανάμεσα σε πολλές - που θα παίξει τον ρόλο της στην επερχόμενη ΔΙΑΛΥΣΗ αυτού του ΠΡΟΤΕΚΤΟΡΑΤΟΥ ΤΟΥ NATO.
Trailer της τανίας. Στο 03:35 εμφανίζεται η φράση "City of Athens" (6η σειρά από το τέλος).
Υπάρχουν ωστόσο μερικά ενδιαφέροντα σημεία. Συγκεκριμένα: Η ταινία δείχνει "κουμπουροφόρους" του UCK - ήτοι ΑΛΒΑΝΟΥΣ - να επιτίθενται σε λεωφορείο και να φωνάζουν στους επιβάτες "Κατεβείτε κάτω κ***οχριστιανοί!", ή κάτι τέτοιο. Στην συνέχεια πυροβολούν έναν ή περισσότερους...Αυτό εν μέσω των ΚΛΥΔΩΝΙΣΜΩΝ που από καιρό αντιμετωπίζουν τα Σκόπια όσον αφορά τους Αλβανούς κατοίκους.
Στην αρχή η ταινία είχε απαγορευτεί στην γείτονα διότι "υποδαύλιζε εθνοτικές διαφορές", αλλά τελικά βγήκε στις αίθουσες ύστερα από επιθυμία, μεταξύ άλλων, ΚΑΙ του προέδρου Ιβανόφ.
Κατά τα άλλα...υπολογίζουν να παραμείνουν "ενωμένοι". Και να γίνουν και "δεκτοί στο NATO"! "Μωραίνει Κύριος..."
Απλά "ανθελληνική ταινία"; Ή - "κατά λάθος"! - ΔΟΥΡΕΙΟΣ ΙΠΠΟΣ; Μια επιπλέον ΘΡΥΑΛΛΙΔΑ - ανάμεσα σε πολλές - που θα παίξει τον ρόλο της στην επερχόμενη ΔΙΑΛΥΣΗ αυτού του ΠΡΟΤΕΚΤΟΡΑΤΟΥ ΤΟΥ NATO.
Trailer της τανίας. Στο 03:35 εμφανίζεται η φράση "City of Athens" (6η σειρά από το τέλος).
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Re: "Mocking of Christ":Μια ακόμα ΘΡΥΑΛΛΙΔΑ στα Σκόπιa
Θελω την ταινια στην Ελλάδα!
Αντι-Πουτιν, Αντι-Ζελενσκυ
Τα κράτη ματώνουν της γειτονιας τον χάρτη
Τα κράτη ματώνουν της γειτονιας τον χάρτη
Re: "Mocking of Christ":Μια ακόμα ΘΡΥΑΛΛΙΔΑ στα Σκόπιa
Πιστεύω πρέπει να προταθεί για υποψηφιότητα στα Όσκαρ
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Re: "Mocking of Christ":Μια ακόμα ΘΡΥΑΛΛΙΔΑ στα Σκόπιa
The business man whose master plan controls the world each day,
Is blind to indications of his species slow decay.
Is blind to indications of his species slow decay.
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Re: "Mocking of Christ":Μια ακόμα ΘΡΥΑΛΛΙΔΑ στα Σκόπιa
Το ότι Έλληνες ηθοποιοί συμμετέχουν σε προπαγανδιστική ταινία Σκοπιανών (με εδαφοεπεκτατική προπαγάνδα μεταξύ άλλων), είναι άλλο ένα δείγμα της εθνομηδενιστικής μεταπολιτευτικής σήψης.
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Re: "Mocking of Christ":Μια ακόμα ΘΡΥΑΛΛΙΔΑ στα Σκόπιa
Την ίδια δουλειά κάνετε τότεGolden Age έγραψε: ↑17 Οκτ 2018, 14:49Κάνει μπαμ ως αριστερίστρια. Παίζει να νομίζει ότι με τη συμμετοχή της στην ταινία συνδράμμει κανέναν..."ταξικό αγώνα".
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Re: "Mocking of Christ":Μια ακόμα ΘΡΥΑΛΛΙΔΑ στα Σκόπιa
Synopsis
Alexander Philipopolus, a famous journalist at a political magazine in Paris, in the days when his life is at a crossroads, his career is uncertain and his family and his marriage are being disrupted, receives a letter from his cousin Vani from Greece that his father Lazarus died in Macedonia. And everything is turning upside down! Alexander departs to his motherland Greece, goes in Athens, to investigate exactly what happened to his father, Lazarus, whom he does not even know at all. In Athens, Alexander will accidentally meet Andrea, a photojournalist who accidentally meets Alexander on the day when she violently ends her relationship with long-time mistress Nana.
He is a careful and deliberate mature man. However, the sorrow in his eyes immediately attracts Andrea. They travel together from Athens to Alexander's birthplace, a small village situated in the vicinity of the border with the neighboring state of Macedonia. Alexander returns to his homeland after more than twenty years, to find out what actually happened to his father Lazarus. He will face many truths and lies, which in that part of the world remained unresolved since the Greek Civil War in 1946. All this is suffering for Alexander, but for Andrea, the beautiful landscapes, the openness and warmth of the province and the exotic people and places she didn't even know that exist in Greece represent a motivation for her get back to her quest of lost faces and stories - her photography passion, after a long period of time. While Alexander struggles with his family and his birthplace, which is apparently divided into two groups - natives Macedonians and new-comers Greeks, Andrea enjoys the wonderful moments filled with many "lost" faces. Alexander faces the fact that his family is deeply divided and with deteriorated relations. His mother Maria and her family are Greeks who have come from Turkey to the village of Lazar's father, who belongs to the group of indigenous Macedonians who fought in the Second World War and the civil war in Greece on the side of the Communists who lost the war. His father Lazar, who is part of heroic tales well-known in the village (alike those for Alexander the Great), married his mother Marija despite the opposing of her family. Within only a couple of months of their marriage, at the end of the war, Lazar as a communist is forced to leave Marija who at that time is pregnant with Alexander, and departs to Russia and later situates in Yugoslavia, namely in Macedonia. Alexander grows up in Marija's family where speaking about his father Lazar is strictly forbidden. In order to protect Alexander, Marija agrees with that. In high school, Alexander receives a scholarship and leaves for Paris where he makes a career as a journalist - political analyst. In his birthplace, Alexander comes into contact with a group of anarchists who are preparing terrorist attacks in order to draw attention to the Macedonian issue in Greece. The anarchists, driven by the heroic stories of his father Lazar, expect Alexander to join them. Alexander refuses and faces a terror. This is how his tragedy begins and the end of the journey that will take him to Skopje, Macedonia, where he will truly meet his father Lazar, whom everyone thinks is dead. Andrea will capture with her camera all the lost faces and stories she encounters in Greece and Macedonia, including the personality and story of Alexander in whom she will fall in love. Andrea will give birth to Alexander's child, following his tragic death. Alexander dies crucified like Jesus Christ on a billboard that advertises the European road leading from Rome to the West to Istanbul in the East, splitting Macedonia in two.
Alexander Philipopolus, a famous journalist at a political magazine in Paris, in the days when his life is at a crossroads, his career is uncertain and his family and his marriage are being disrupted, receives a letter from his cousin Vani from Greece that his father Lazarus died in Macedonia. And everything is turning upside down! Alexander departs to his motherland Greece, goes in Athens, to investigate exactly what happened to his father, Lazarus, whom he does not even know at all. In Athens, Alexander will accidentally meet Andrea, a photojournalist who accidentally meets Alexander on the day when she violently ends her relationship with long-time mistress Nana.
He is a careful and deliberate mature man. However, the sorrow in his eyes immediately attracts Andrea. They travel together from Athens to Alexander's birthplace, a small village situated in the vicinity of the border with the neighboring state of Macedonia. Alexander returns to his homeland after more than twenty years, to find out what actually happened to his father Lazarus. He will face many truths and lies, which in that part of the world remained unresolved since the Greek Civil War in 1946. All this is suffering for Alexander, but for Andrea, the beautiful landscapes, the openness and warmth of the province and the exotic people and places she didn't even know that exist in Greece represent a motivation for her get back to her quest of lost faces and stories - her photography passion, after a long period of time. While Alexander struggles with his family and his birthplace, which is apparently divided into two groups - natives Macedonians and new-comers Greeks, Andrea enjoys the wonderful moments filled with many "lost" faces. Alexander faces the fact that his family is deeply divided and with deteriorated relations. His mother Maria and her family are Greeks who have come from Turkey to the village of Lazar's father, who belongs to the group of indigenous Macedonians who fought in the Second World War and the civil war in Greece on the side of the Communists who lost the war. His father Lazar, who is part of heroic tales well-known in the village (alike those for Alexander the Great), married his mother Marija despite the opposing of her family. Within only a couple of months of their marriage, at the end of the war, Lazar as a communist is forced to leave Marija who at that time is pregnant with Alexander, and departs to Russia and later situates in Yugoslavia, namely in Macedonia. Alexander grows up in Marija's family where speaking about his father Lazar is strictly forbidden. In order to protect Alexander, Marija agrees with that. In high school, Alexander receives a scholarship and leaves for Paris where he makes a career as a journalist - political analyst. In his birthplace, Alexander comes into contact with a group of anarchists who are preparing terrorist attacks in order to draw attention to the Macedonian issue in Greece. The anarchists, driven by the heroic stories of his father Lazar, expect Alexander to join them. Alexander refuses and faces a terror. This is how his tragedy begins and the end of the journey that will take him to Skopje, Macedonia, where he will truly meet his father Lazar, whom everyone thinks is dead. Andrea will capture with her camera all the lost faces and stories she encounters in Greece and Macedonia, including the personality and story of Alexander in whom she will fall in love. Andrea will give birth to Alexander's child, following his tragic death. Alexander dies crucified like Jesus Christ on a billboard that advertises the European road leading from Rome to the West to Istanbul in the East, splitting Macedonia in two.
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Νέα δημοσίευση Θα είναι η Σαντορίνη η θρυαλλίδα που θα γκρεμίσει τον Κουλη απ τον θρόνο του;
από georgebi » 03 Φεβ 2025, 18:49 » σε Εσωτερική Πολιτική - 58 Απαντήσεις
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Τελευταία δημοσίευση από georgebi
05 Φεβ 2025, 11:47
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